That practice of scrapbooking, as told by Garvey, was emulated in this publication using texts that underpin much of Bovine’s publishing endeavors. PDFs of these texts were printed, lines of text were extracted from their contexts, and then collaged into new compositions—thus forming new ideas and knowledges by integrating separate documents. The lines of text were composed responsively to shapes of neighboring texts, so their new contexts were in many cases, arbitrary. This project is about authorship and recirculation, texts as design tools, a desire to “publish one’s sources” and interact with them in a new way. This study lives in a Risograph-printed foldout, with a printed bibliography of sources that document where the texts were extracted from.
French Pop-tone, 65lb cover, Lemon Drop
Risograph 2-color: Black and Mahogany
Edition of 80